Almond Shield
The almond shape is a pinched oval characteristic of early Italian armorials.
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No default posture.
No default orientation.
No default tincture.
The almond shape is a pinched oval characteristic of early Italian armorials.
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Badges are often displayed on a circle, called a roundel.
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Devices are generally submitted on a standard shield outline, known as an escutcheon.
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This escutcheon is based on a standard heater-shield shape but the top is arched up.
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This escutcheon is based on a standard heater-shield shape but the top is arched up.
Source: Book of Traceable Heraldic Art. Artist: Ajir Tsagaan.
Source: Book of Traceable Heraldic Art. Artist: Ajir Tsagaan.
Source: Cusack's Freehand Ornament (Plate 25). Artist: Unknown Illustrator.
Source: Cusack's Freehand Ornament. (Plate 25.) Artist unknown.
This shield shape is found on the stall plate of John Beaufort, Duke of Somerset, circa 1440.
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The rounded notches in the upper edge of this shield are a late-period decelopment.
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The rounded notches in the upper edge of this shield are a late-period decelopment.
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The curving peak on the upper edge of this shield may be a post-period affectation.
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This post-period shield shape is used the the U.S. government for highways and police.
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As time passed, the shapes used for escutcheons became progressively more ornate.
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Source: Das Tücherbuch, 1555-1600 German (Biblioteca Apostolica Vaticana, Ross.546). Artist: Unknown Illustrator.
Source: Das Tücherbuch, 1555-1600 German (Biblioteca Apostolica Vaticana, Ross.546) Artist unknown.
Germanic tournament shields often had fluted ridges and points around the edge.
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In German areas, the round base was sometimes combined with sloping sides.
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Heart shapes were occasionally used to diplay armory.
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Heart shapes were occasionally used to diplay armory.
Source: Armorial de Flandre et du Hainaut. Artist: Jacques Le Boucq.
Source: Armorial de Flandre et du Hainaut. Artist: Jacques Le Boucq.
Source: Book of Traceable Heraldic Art. Adapted from the seal of Gilles d'Aunay, circa 1245. Adapted by Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Adapted from the seal of Gilles d'Aunay, circa 1245. Adapted by Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Adapted from the seal of Philippe III of France, circa 1285. Adapted by Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Adapted from the seal of Philippe III of France, circa 1285. Adapted by Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Adapted from the seal of Louis II d'Anjou, circa 1403. Adapted by Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Adapted from the seal of Louis II d'Anjou, circa 1403. Adapted by Mathghamhain Ua Ruadháin.
Source: Manchester University Library Latin MS 28. Artist: Unknown Illustrator.
Source: Manchester University Library Latin MS 28. Artist unknown.
Italian Renaissance armorials sometimes used a testa di cavallo, or horse-head shield.
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In Spain and Portugal, arms were usually displayed on an escutcheon with a round base.
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A rounded, two-lobed shape derived from Berber calvary shields.
Source: Cappugi 200 (Italy, eighteenth century). Artist: Unknown Illustrator.
Source: Cappugi 200. (Italy, eighteenth century.) Artist unknown.
This shield shape is found in Stemme Veneziane from the mid-sixteenth century.
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This shield shape is found in Venete con le Loro Armi from the early sixteenth century. .
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Tall shields with a round top and a long tapered point were typical in the 11th C..
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Source: Book of Traceable Heraldic Art. Source:. Adapted from the seal of Mathilde, wife of Philippe d'Alsace, count of Flanders, circa 1189. Adapted by Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Source: Adapted from the seal of Mathilde, wife of Philippe d'Alsace, count of Flanders, circa 1189. Adapted by Mathghamhain Ua Ruadháin.
Source: Bible of Stephen Harding (Dijon BM MS.14, folio 191r, circa 1109). Artist: Unknown Illustrator.
Source: Bible of Stephen Harding (Dijon BM MS.14, folio 191r, circa 1109). Artist unknown.
A rectangular shield with small flared corners provided space for complex Tudor designs
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Devices may be submitted on a lozenge, a less-martial alternative to the shield outline.
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An oval shield with pointed ends found throughout southern Africa.
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Devices may be displayed on a modified lozenge that has been expanded into an octagon.
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Devices may be displayed an oval shape known as a cartouche.
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An extra-wide shield.
Source: University of Victoria Ms. Brown.Eng.2 (Circa 1580). Artist: Unknown Illustrator.
Source: University of Victoria Ms. Brown.Eng.2. (Circa 1580) Artist unknown.
As time passed, the shapes used for escutcheons became progressively more ornate.
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As time passed, the shapes used for escutcheons became progressively more ornate.
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Roman legionaries carried large rectangular shields with a domed central boss.
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This shield shape is found in "Armas de los Condes" from the early sixteenth century.
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Source: Nobiliario de Armas de Valencia, Aragón y Cataluña. Artist: Unknown Illustrator.
Source: Nobiliario de Armas de Valencia, Aragón y Cataluña. Artist unknown.
Source: Nobiliario de Armas de Valencia, Aragón y Cataluña. Artist: Unknown Illustrator.
Source: Nobiliario de Armas de Valencia, Aragón y Cataluña. Artist unknown.
A wide shield with an expanded base allowed for marshaled arms to be displayed together.
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Badges are submitted on a square outline, even if they are fieldless.
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Fifteenth-century arms might be shown on a shape suggestive of a tournament tilting shield.
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Fifteenth-century arms might be shown on a shape suggestive of a tournament tilting shield.
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Fifteenth-century arms might be shown on a shape suggestive of a tournament tilting shield.
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Source: Book of Traceable Heraldic Art. Source:. Adapted from the seal of Robert de Chartres, circa 1193. Adapted by Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Source: Adapted from the seal of Robert de Chartres, circa 1193. Adapted by Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Source:. Adapted from the seal of Gautier de Chatéron, circa 1210. Adapted by Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Source: Adapted from the seal of Gautier de Chatéron, circa 1210. Adapted by Mathghamhain Ua Ruadháin.
Later versions of the kite shield had their tops flattened, but retained the pronounced point.
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