No default posture.
No default orientation.
No default tincture.
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Demi-Fleur de Lys (1)
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
A very-stylized flower. Named after the lily, but stylistically derived from the iris. When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
Default orientation: point to chief. No proper coloration.
When scattered across the field, termed “semy-de-lys”.
Source: Des Kaiserlichen Kammergerichts zu Speier Kammerrichter (Page 121). Artist: Unknown Illustrator. Source: Des Kaiserlichen Kammergerichts zu Speier Kammerrichter. Artist unknown. (Page 121.)
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
When scattered across the field, termed “semy-de-lys”.
This is the Florentine variety, which displays its stamens between its petals.
A very-stylized flower. Named after the lily, but stylistically derived from the iris. When scattered across the field, termed “semy-de-lys”.
Source: Scheibler Armorial (From the arms of von Danckhetschweiler). Artist: Unknown Illustrator. Source: Scheibler Armorial. Artist: Unknown. (From the arms of von Danckhetschweiler.)
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
A very-stylized flower. Named after the lily, but stylistically derived from the iris. When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
Source: Book of Traceable Heraldic Art. Adapted from the display of arms on a statue of Bartolomeo Colleoni, circa 1496. Adapted by Mathghamhain Ua Ruadháin. Source: Book of Traceable Heraldic Art. Adapted from the display of arms on a statue of Bartolomeo Colleoni, circa 1496. Adapted by Mathghamhain Ua Ruadháin.
A very-stylized flower. Named after the lily, but stylistically derived from the iris. When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
Source: Stemmario Trivulziano (Page 312). Artist: Gian Antonio da Tradate. . Source: Stemmario Trivulziano. Artist: Gian Antonio da Tradate. (Page 312.)
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
A very-stylized flower. Named after the lily, but stylistically derived from the iris. When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
Source: Mamluk Emblems Online Corpus (Adapted from a photograph of a ceramic fragment with a fleur de lys, dated c. 1300, conserved at the Museum of Islamic Art, Cairo). Artist: Unknown Illustrator. Source: Mamluk Emblems Online Corpus. Artist unknown. (Adapted from a photograph of a ceramic fragment with a fleur de lys, dated c. 1300, conserved at the Museum of Islamic Art, Cairo.)
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
A very-stylized flower. Named after the lily, but stylistically derived from the iris. When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
Source: Two Tudor Books of Arms (From page 27, arms of Rycharde Fyscheborne of the Byschopperyke of Derham). Artist: Robert Cooke. . Source: Two Tudor Books of Arms. Artist: Robert Cooke. (From page 27, arms of Rycharde Fyscheborne of the Byschopperyke of Derham.)
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
When scattered across the field, termed “semy-de-lys”.
Default posture: point to chief. No proper coloration.
Source: Le Blason Des Armoiries (Page 222). Artist: Jérôme de Bara. . Source: Le Blason Des Armoiries. Artist: Jérôme de Bara. (Page 222.)
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
Default orientation: point to chief. No proper coloration.
When scattered across the field, termed “semy-de-lys”.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
Default orientation: point to chief. No proper coloration.
When scattered across the field, termed “semy-de-lys”.
Source: The Trade Signs of Essex. Artist: Unknown Illustrator. Source: The Trade Signs of Essex. Artist unknown.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
Default orientation: point to chief. No proper coloration.
When scattered across the field, termed “semy-de-lys”.
Source: The Trade Signs of Essex. Artist: Unknown Illustrator. Source: The Trade Signs of Essex. Artist unknown.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
Default orientation: point to chief. No proper coloration.
When scattered across the field, termed “semy-de-lys”.
Source: The Trade Signs of Essex. Artist: Unknown Illustrator. Source: The Trade Signs of Essex. Artist unknown.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
Default orientation: point to chief. No proper coloration.
When scattered across the field, termed “semy-de-lys”.
Source: The Trade Signs of Essex. Artist: Unknown Illustrator. Source: The Trade Signs of Essex. Artist unknown.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
Default orientation: point to chief. No proper coloration.
When scattered across the field, termed “semy-de-lys”.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
Default orientation: point to chief. No proper coloration.
When scattered across the field, termed “semy-de-lys”.
Source: WappenWiki. Artist: Joakim Spuller. Adapted by NSamson. Source: WappenWiki. Artist: Joakim Spuller. Adapted by NSamson.
A very-stylized flower. Named after the lily, but stylistically derived from the iris.
Default orientation: point to chief. No proper coloration.
When scattered across the field, termed “semy-de-lys”.
A staff capped with a fleur de lys. Blazoned a “Lilienstab” in German, or a “bâton fleurdelisé” in French.
Default orientation: point to chief. No proper coloration.
Source: Scheibler Armorial (From the arms of Ramstein). Artist: Unknown Illustrator. Source: Scheibler Armorial. Artist: Unknown. (From the arms of Ramstein.)