No default posture.
Default Orientation: upright.
No default tincture.
See also: Cup in Pictorial Dictionary of Heraldry.
Source: Funeral Arms and Commissions for Visitations (Page 93). Artist: Unknown Illustrator.
Source: Funeral Arms and Commissions for Visitations. Artist unknown. (Page 93.)
Source: Powell Roll (Folio 5v, arms of Argentine). Artist: Unknown Illustrator.
Source: Powell Roll. Artist unknown. (Folio 5v, arms of Argentine.)
Source: BnF MS Allemand 304 (Page 438). Artist: Unknown Illustrator.
Source: BnF MS Allemand 304. Artist unknown. (Page 438.)
Source: BnF MS Allemand 304 (Page 603). Artist: Unknown Illustrator.
Source: BnF MS Allemand 304. Artist unknown. (Page 603.)
Source: WappenWiki. Artist: Joakim Spuller. Adapted by Finellach.
Source: WappenWiki. Artist: Joakim Spuller. Adapted by Finellach.
Source: Pennsic Traceable Art. Artist: Unknown Illustrator.
Source: Pennsic Traceable Art. Artist unknown.
Source: Pennsic Traceable Art. Artist: Roana d’Evreux.
Source: Pennsic Traceable Art. Artist: Roana d’Evreux.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Wappenbuch der Arlberg-Bruderschaft (Folio 67r). Artist: Vigil Raber. .
Source: Wappenbuch der Arlberg-Bruderschaft. Artist: Vigil Raber. (Folio 67r.)
Source: Stemmario Trivulziano (Arms of di Moiolis, p 221). Artist: Gian Antonio da Tradate. .
Source: Stemmario Trivulziano. Artist: Gian Antonio da Tradate. (Arms of di Moiolis, p 221.)
Source: Mamluk Emblems Online Corpus (Adapted from a photograph of the facade of a ruined house in Aleppo, dated to before 1497, depicting the emblem of Qānṣūh al-Yaḥyāwī). Artist: Unknown Illustrator.
Source: Mamluk Emblems Online Corpus. Artist unknown. (Adapted from a photograph of the facade of a ruined house in Aleppo, dated to before 1497, depicting the emblem of Qānṣūh al-Yaḥyāwī.)
Source: Mamluk Emblems Online Corpus (Adapted from a photograph of the Caravanserai of Yūnus al-Dawādār in Gaza City, Palestine, dated to 1387, depicting the emblem of Amir Yunis Ibn ‘Abdallah al-Nawruzi). Artist: Unknown Illustrator.
Source: Mamluk Emblems Online Corpus. Artist unknown. (Adapted from a photograph of the Caravanserai of Yūnus al-Dawādār in Gaza City, Palestine, dated to 1387, depicting the emblem of Amir Yunis Ibn ‘Abdallah al-Nawruzi.)
Source: Wappenbuch der Arlberg-Bruderschaft (Page 141). Artist: Vigil Raber. .
Source: Wappenbuch der Arlberg-Bruderschaft. Artist: Vigil Raber. (Page 141.)
Source: Histoire du Verre L’Antiquite (Adapted from a photo of a extant glass made circa 1500). Artist: Unknown Illustrator.
Source: Histoire du Verre L’Antiquite. Artist unknown. (Adapted from a photo of a extant glass made circa 1500.)
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Source: Pennsic Traceable Art. Artist: Unknown Illustrator. Adapted by Mathghamhain Ua Ruadháin.
Source: Pennsic Traceable Art. Artist unknown. Adapted by Mathghamhain Ua Ruadháin.
The double cup design, with a pair of cups that stacked together, was called a "doppelbecher" in German, and was associated with weddings.
Source: Wappenbuch der Arlberg-Bruderschaft (From page 238). Artist: Vigil Raber. .
Source: Wappenbuch der Arlberg-Bruderschaft. Artist: Vigil Raber. (From page 238.)
The double cup design, with a pair of cups that stacked together, was called a "doppelbecher" in German, and was associated with weddings.
Source: Neustifter Wappenbuch (Arms of Vollandt, page 151). Artist: Vigil Raber. .
Source: Neustifter Wappenbuch. Artist: Vigil Raber. (Arms of Vollandt, page 151.)
The double cup design, with a pair of cups that stacked together, was called a "doppelbecher" in German, and was associated with weddings.
Source: Zurich Roll (Folio 3r, arms of Liebeneberg ). Artist: Unknown Illustrator. Adapted by Mathghamhain Ua Ruadháin.
Source: Zurich Roll. Artist unknown. (Folio 3r, arms of Liebeneberg .) Adapted by Mathghamhain Ua Ruadháin.
