A human man.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned, sable hair.
Source: Banners, Standards, and Badges (From the banner of John Gyfford de Chelyngton p. 262). Artist: Thomas Willement. . Source: Banners, Standards, and Badges. Artist: Thomas Willement. (From the banner of John Gyfford de Chelyngton p. 262.)
A stubborn smaller cousin of the horse. Known in modern times as a “donkey.”
No default posture. No proper coloration.
This image may actually depict a mule, a hybrid between a donkey and a horse.
Source: Trachtenbuch des Christoph Weiditz. Artist: Christoph Weiditz. Adapted by Jessimond of Emerickeskepe. Adapted by Tali Essen of the Isles. Source: Trachtenbuch des Christoph Weiditz. Artist: Christoph Weiditz. Adapted by Jessimond of Emerickeskepe and Tali Essen of the Isles.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
A large beast of the wilds.
No default posture. No proper coloration.
As of August 2018 this charge is unregistrable, as quadrupeds affronty are generally not found in period armory.
A large beast of the wilds.
No default posture. No proper coloration.
Source: Wikimedia Commons. Adapted from the coat of arms of the city of Yaroslavl. Artist: Mouagip. License: Public domain; not subject to copyright under Russian law Source: Wikimedia Commons. Artist: Mouagip. Adapted from the coat of arms of the city of Yaroslavl. License: Public domain; not subject to copyright under Russian law.
Source: Book of Traceable Heraldic Art. Artist: Þórý Veðardóttir. . License: CC BY-NC-SA; comercial use requires permision Source: Book of Traceable Heraldic Art. Artist: Þórý Veðardóttir. License: CC BY-NC-SA; comercial use requires permision.
Sometimes blazoned a “steer” or an “ox.” A “buffalo” is similar but has larger horns. A “yak” is hairy.
No default posture. No proper coloration.
Source: Armorial Le Breton (Page 5, circa 1450). Artist: Unknown Illustrator. Adapted by Drasma Dragomira. Source: Armorial Le Breton. Artist unknown. (Page 5, circa 1450.) Adapted by Drasma Dragomira.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
Source: Viaggio da Venetia al Santo Sepolchro. Artist: Unknown Illustrator. Adapted by Iago ab Adam. Source: Viaggio da Venetia al Santo Sepolchro. Artist unknown. Adapted by Iago ab Adam.
A colorful insectivore.
Default posture: statant. No proper coloration.
Source: Wellcome Collection (From an engraving circa 1663). Artist: David Loggan. . Source: Wellcome Collection. Artist: David Loggan. (From an engraving circa 1663.)
Although found in a heraldic treatise, this depiction might be considered poor style due to trian aspect.
Source: The Deidis of Armorie (Folio 34r). Artist: Adam Loutfut. . Adapted by Saewynn aet Cnolle. Source: The Deidis of Armorie. Artist: Adam Loutfut. (Folio 34r.) Adapted by Saewynn aet Cnolle.
Source: The Deidis of Armorie (Folio 29r). Artist: Adam Loutfut. . Adapted by Vémundr Syvursson. Source: The Deidis of Armorie. Artist: Adam Loutfut. (Folio 29r.) Adapted by Vémundr Syvursson.
Source: Irish Arms B (Folio 71r, the arms of Rosseter). Artist: Unknown Illustrator. Adapted by Iago ab Adam. Source: Irish Arms B. Artist unknown. (Folio 71r, the arms of Rosseter.) Adapted by Iago ab Adam.
Source: Kitāb al-Ḥayawān. Artist: Abu Uthman Amr ibn Bahr al-Kinani al-Basri. Adapted by Máel Brigte. Source: Kitāb al-Ḥayawān. Artist: Abu Uthman Amr ibn Bahr al-Kinani al-Basri. Adapted by Máel Brigte.
No default posture. No proper coloration.
A fast-running sight hound may be blazoned a “levrier.”
Period sight hound breeds include the greyhound and wolfhound.
No default posture. No proper coloration.
A hound with hanging ears may be blazoned a “badger-hound.” (However, the dachshund has not been documented as a period breed.)
No default posture. No proper coloration.
A hound with hanging ears may be blazoned a “talbot.”
Period scent hound breeds include the bloodhound.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
No default posture. No proper coloration.
A hound with hanging ears may be blazoned a “talbot.”
Period scent hound breeds include the bloodhound.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
No default posture. No proper coloration.
A hound with hanging ears may be blazoned a “talbot.”
Period scent hound breeds include the bloodhound.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
Source: Banderia Prutenorum (Folio 6v). Artist: Unknown Illustrator. Adapted by Waḫrii ̯ a of St Christina the Astonishing. Source: Banderia Prutenorum. (Folio 6v.) Artist unknown. Adapted by Waḫrii ̯ a of St Christina the Astonishing.
Source: Banderia Prutenorum (Folio 6v). Artist: Unknown Illustrator. Adapted by Waḫrii ̯ a of St Christina the Astonishing. Source: Banderia Prutenorum. (Folio 6v.) Artist unknown. Adapted by Waḫrii ̯ a of St Christina the Astonishing.
A giant animal known for its strength.
Default posture: statant. Proper coloration: argent, or gray with white tusks.
Following the July 2017 Cover Letter, tusks are unregistrable in the absence of period documentation.
Default orientation: point to chief.
A wild canid.
No default posture. Proper coloration: gules, with argent tail tip; often has sable or argent socks, and may have an argent chest, but these are unblazonable details.
A wild canid.
No default posture. Proper coloration: gules, with argent tail tip; often has sable or argent socks, and may have an argent chest, but these are unblazonable details.
A wild canid.
No default posture. Proper coloration: gules, with argent tail tip; often has sable or argent socks, and may have an argent chest, but these are unblazonable details.
Source: The Deidis of Armorie (Folio 17v). Artist: Adam Loutfut. . Adapted by Saewynn aet Cnolle. Source: The Deidis of Armorie. Artist: Adam Loutfut. (Folio 17v.) Adapted by Saewynn aet Cnolle.
Source: Stemmario Trivulziano (Arms of de Niguorda, p 249). Artist: Gian Antonio da Tradate. . Source: Stemmario Trivulziano. Artist: Gian Antonio da Tradate. (Arms of de Niguorda, p 249.)
Source: The Deidis of Armorie (Folio 19r). Artist: Adam Loutfut. . Adapted by Saewynn aet Cnolle. Source: The Deidis of Armorie. Artist: Adam Loutfut. (Folio 19r.) Adapted by Saewynn aet Cnolle.
Medieval legend held that hedgehogs would creep into vineyards at night, shake grapes loose, then roll about to impale the fallen fruit before carrying their bounty home for their offspring.
Medieval legend held that hedgehogs would creep into vineyards at night, shake grapes loose, then roll about to impale the fallen fruit before carrying their bounty home for their offspring.
The iconic figure of Hercules following the completion of his first labor, fighting the Nemean Lion.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned, sable hair, golden lion, brown wooden club.
Source: Wappenbuch der Arlberg-Bruderschaft (Page 24v). Artist: Vigil Raber. . Adapted by Owen Tegg. Source: Wappenbuch der Arlberg-Bruderschaft. Artist: Vigil Raber. (Page 24v.) Adapted by Owen Tegg.
Source: Harley MS 6149. Artist: Unknown Illustrator. Adapted by Vémundr Syvursson. Source: Harley MS 6149. Artist unknown. Adapted by Vémundr Syvursson.
A domesticated equine. Presumed to be a stallion unless blazoned a “mare.”
No default posture. No proper coloration.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
Source: Heraldry, Ancient and Modern (Page 81, arms of the Duke of Norfolk). Artist: Unknown Illustrator. Source: Heraldry, Ancient and Modern. Artist unknown. (Page 81, arms of the Duke of Norfolk.)
A human man.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned, sable hair.
Source: Siebmacher’s Wappenbuch of 1605 (Arms of die Bezisski, page 58). Artist: Johann Siebmacher. . Adapted by Saewynn aet Cnolle. Source: Siebmacher’s Wappenbuch of 1605. Artist: Johann Siebmacher. (Arms of die Bezisski, page 58.) Adapted by Saewynn aet Cnolle.
A human man.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned, sable hair.
This man is dressed in a sixteenth-century Spanish style.
Source: Weidtz trachtenbook, 1530. Artist: Unknown Illustrator. Adapted by Jessimond of Emerickeskepe. Source: Weidtz trachtenbook, 1530. Adapted by Jessimond of Emerickeskepe. Artist unknown.
A human man.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned, sable hair.
This man is dressed in a sixteenth-century Spanish style.
Source: WappenWiki. Artist: Joakim Spuller. Adapted by Novov. Adapted by Mathghamhain Ua Ruadháin. Source: WappenWiki. Artist: Joakim Spuller. Adapted by Novov and Mathghamhain Ua Ruadháin.
Source: Banners, Standards, and Badges (From the banner of Antony Babyngton, p. 258). Artist: Thomas Willement. . Source: Banners, Standards, and Badges. Artist: Thomas Willement. (From the banner of Antony Babyngton, p. 258.)
A burrowing beast with poor eyesight.
No default posture. Proper coloration: brown.
Source: The Deidis of Armorie (Folio 17r, a "moldwarp."). Artist: Adam Loutfut. . Adapted by Saewynn aet Cnolle. Source: The Deidis of Armorie. Artist: Adam Loutfut. (Folio 17r, a "moldwarp.") Adapted by Saewynn aet Cnolle.
A tonsured and enrobed man, holding a book in his hand.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned, sable hair.
A rodent.
No default posture. No proper coloration.
Source: Book of Traceable Heraldic Art. Artist: Þórý Veðardóttir. . License: CC BY-NC-SA; commercial use requires permission Source: Book of Traceable Heraldic Art. Artist: Þórý Veðardóttir. License: CC BY-NC-SA; commercial use requires permission.
A mountain goat indigenous to the Alps.
No default posture. No proper coloration.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
A young human.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned, sable hair.
Source: Stemmario Trivulziano (Page 211, arms of de Tegnioxis de Roma). Artist: Gian Antonio da Tradate. . Source: Stemmario Trivulziano. Artist: Gian Antonio da Tradate. (Page 211, arms of de Tegnioxis de Roma.)
An amphibious weasel. Heraldically equivalent to the stoat or ermine.
Default posture: statant, perhaps; best to blazon explicitly.
Proper coloration: brown, perhaps; best to blazon explicitly.
An amphibious weasel. Heraldically equivalent to the stoat or ermine.
Default posture: statant, perhaps; best to blazon explicitly.
Proper coloration: brown, perhaps; best to blazon explicitly.
Source: Pennsic 50 Art Tent. Artist: Megis Êlmanou. Source: Pennsic 50 Art Tent. Artist: Megis Êlmanou.
May be blazoned a "hare" or "coney."
Default posture: sejant. Proper coloration: brown.
Source: The Deidis of Armorie (Folio 18r, a "hare."). Artist: Adam Loutfut. . Adapted by Saewynn aet Cnolle. Source: The Deidis of Armorie. Artist: Adam Loutfut. (Folio 18r, a "hare.") Adapted by Saewynn aet Cnolle.
A rodent.
No default posture. No proper coloration.
Source: Stemmario Trivulziano (Arms of de Ratazi, p 312). Artist: Gian Antonio da Tradate. . Source: Stemmario Trivulziano. Artist: Gian Antonio da Tradate. (Arms of de Ratazi, p 312.)
A large armored herbivore.
Default posture: statant. No proper coloration.
Source: Book of Traceable Heraldic Art. Adapted from a 1515 woodcut by Albrecht Dürer. Artist: Þórý Veðardóttir. . License: CC BY-NC-SA; commercial use requires permission Source: Book of Traceable Heraldic Art. Artist: Þórý Veðardóttir. License: CC BY-NC-SA; commercial use requires permission. Adapted from a 1515 woodcut by Albrecht Dürer.
A male deer. May also be blazoned a “buck” or “hart.”
No default posture. Proper coloration: brown.
The term “at gaze” describes a deer that is statant guardant.
Proper coloration, if blazoned an ermine, argent with a sable-tipped tail.
Source: De Materia Medica (Morgan MS M.652). Artist: Unknown Illustrator. Adapted by Máel Brigte. Source: De Materia Medica. (Morgan MS M.652.) Artist unknown. Adapted by Máel Brigte.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
A fast-running heraldic beast with the body of a wolf, the tail of a lion, and a downwards-pointed horn on its nose.
No default posture. No proper coloration.
A fast-running heraldic beast with the body of a wolf, the tail of a lion, and a downwards-pointed horn on its nose.
No default posture. No proper coloration.
A wolf-like human, or a wolf with human features.
No default posture. No proper coloration.
Source: Prodigorum ac Ostentorum Chronicon. Artist: Konrad Lykosthenes. Adapted by Wylet Fraser. Source: Prodigorum ac Ostentorum Chronicon. Artist: Konrad Lykosthenes. Adapted by Wylet Fraser.
Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen. Source: Book of Traceable Heraldic Art. Artist: Michael der Gross von Bergen.
Source: Pennsic Bored-Artist Collection. Artist: Dorothy Mackey. Adapted by Iago ab Adam. Source: Pennsic Bored-Artist Collection. Artist: Dorothy Mackey. Adapted by Iago ab Adam.
A human woman.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned.
Clothing may be blazoned separately, as “a maiden tincture vested tincture.”
A human woman.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned.
Clothing may be blazoned separately, as “a maiden tincture vested tincture.”
A human woman.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned.
Clothing may be blazoned separately, as “a maiden tincture vested tincture.”
A human woman.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned.
Clothing may be blazoned separately, as “a maiden tincture vested tincture.”
Source: WappenWiki. Artist: Joakim Spuller. Adapted by Novov. Adapted by Mathghamhain Ua Ruadháin. Source: WappenWiki. Artist: Joakim Spuller. Adapted by Novov and Mathghamhain Ua Ruadháin.
A human woman.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned.
Clothing may be blazoned separately, as “a maiden tincture vested tincture.”
A human woman.
Default posture: statant affronty. Proper coloration: only if skin tone is blazoned.
Clothing may be blazoned separately, as “a maiden tincture vested tincture.”