No default posture.
No default orientation.
No default tincture.
Central ordinary.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Central ordinary.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Central ordinary.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Central ordinary.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Central ordinary.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Central ordinary.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Central ordinary.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Central ordinary.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Central ordinary. A fess that is broken and displaced. Only registered once, in 1980, so may require additional documentation.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Central ordinary. A fess that is broken and displaced.
Source: Armas de los Cavalleros de Veneçia (Folio 47v). Artist: Unknown Illustrator.
Source: Armas de los Cavalleros de Veneçia. Artist unknown. (Folio 47v.)
Central ordinary.
Source: Wappenbuch der Arlberg-Bruderschaft (Page 640). Artist: Vigil Raber. .
Source: Wappenbuch der Arlberg-Bruderschaft. Artist: Vigil Raber. (Page 640.)
Central ordinary.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Source: Two Tudor Books of Arms (Arms of Posyngeworth, page 60). Artist: Robert Cooke. .
Source: Two Tudor Books of Arms. Artist: Robert Cooke. (Arms of Posyngeworth, page 60.)
Equal field division. May use any two tinctures. Use with charges would be a Step From Period Practice (SFPP). This form of bevil is found in Legh's Accidence of Armory, 1586 and is figure “C” in the 1992-08 LoAR cover letter, “The Bevil Made Me Do It.”
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Equal field division. May use any two tinctures. Use with charges would be a Step From Period Practice (SFPP). This style of bevil is shown as figure “D” and described as acceptable in the 1992-08 LoAR cover letter, “The Bevil Made Me Do It.”
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Equal field division. May use any two tinctures. Use with charges would be a Step From Period Practice (SFPP). This form of bevil is found in Legh's Accidence of Armory, 1586 and is figure “C” in the 1992-08 LoAR cover letter.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Equal field division. May use any two tinctures. Use with charges would be a Step From Period Practice (SFPP). This style of bevil is shown as figure “D” and described as acceptable in the 1992-08 LoAR cover letter.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Equal field division. May use any two tinctures. Use with charges would be a Step From Period Practice (SFPP). The only example I've found of this design is in the arms of Aleyn / Allen; if it is indeed the only such instance, it may not be registrable today.
Source: Insignia Anglica (Arms of Aleyn, folio 33r). Artist: Unknown Illustrator.
Source: Insignia Anglica. Artist unknown. (Arms of Aleyn, folio 33r.)
Equal field division. May use any two tinctures, except sable and purpure or sable and azure.
Source: Armas de los Cavalleros de Veneçia (Folio 41v). Artist: Unknown Illustrator.
Source: Armas de los Cavalleros de Veneçia. Artist unknown. (Folio 41v.)
Equal field division. May use any two tinctures.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Equal field division. May use any two tinctures.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Equal field division. May use any two tinctures. Never registered in the SCA, but believed to be valid as “per pale angled reversed” was registered and “per pale angled” is documented in Stephen Friar’s “Dictionary of Heraldry” as well as a book by Carl-Alexander von Volborth.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
Equal field division. May use any two tinctures. Only registered once, in 1985, but believed to be valid as “per pale angled” is documented in Stephen Friar’s “Dictionary of Heraldry” as well as a book by Carl-Alexander von Volborth.
Source: Book of Traceable Heraldic Art. Artist: Mathghamhain Ua Ruadháin.
Source: Book of Traceable Heraldic Art. Illustration: Mathghamhain Ua Ruadháin.
